Last night’s opening performance of Chicago at the Regent Theatre was a thrilling celebration of musical theatre, and the packed house was electrified from start to finish. With a stunning cast, incredible choreography, and a score that had the audience tapping their feet, this production of Chicago lived up to its legendary reputation.
Set in the Prohibition Era, Chicago is a satirical exploration of crime, celebrity, and justice, following the stories of two women vying for the spotlight. Faye Brookes, as the ambitious and fame-hungry Roxie Hart, was nothing short of sensational. With her sharp comedic timing, powerful vocals, and effortless stage presence, Brookes captured Roxie’s mix of vulnerability and cunning. Her performance of “Razzle Dazzle” was a showstopper, and her emotional depth in “Me and My Baby” was equally captivating. From her first note, Brookes had the audience in the palm of her hand.
Opposite her was the fierce Djalenga Scott as Velma Kelly. As the sultry, seasoned vaudeville star, Scott brought a perfect mix of confidence, sensuality, and strength to the role. Her powerhouse vocals, particularly in “I Can’t Do It Alone” and “Class,” brought the house down. The chemistry between Scott and Brookes was electric, as their rivalry unfolded in a battle of egos, with both women determined to become Chicago’s most notorious criminal.
Kevin Clifton, as the smooth-talking, manipulative lawyer Billy Flynn, was the epitome of charm and ruthlessness. Clifton’s charisma and wit made him an ideal fit for the role, and his performance of “We Both Reached for the Gun” was a masterclass in timing and delivery. Flynn’s ability to twist the media and the law in his favour was portrayed with finesse, as Clifton captivated the audience with his sharp, calculating portrayal.
Sinitta Malone, as the tough, no-nonsense Mama Morton, delivered a standout performance. Her portrayal of the matronly jailhouse queen was commanding, and her rendition of “When You’re Good to Mama” was sultry, fun, and full of attitude. Sinitta’s’ powerhouse voice and stage presence made Mama Morton a force to be reckoned with on stage.
Joshua Lloyd brought a dose of humour and heart to the role of Amos Hart, Roxie’s lovably hapless husband. His performance, particularly in “Mister Cellophane,” was poignant and humorous, capturing the deep sadness of Amos’ situation with genuine empathy. Lloyd’s timing and sincerity made his character’s eventual heartbreak all the more affecting.
Jordan Lee Davies as Mary Sunshine added a touch of fabulous flair to the production. His sparkling performance as the overly dramatic, slightly absurd reporter brought both laughs and admiration from the audience, and his vocal performance in “A Little Bit of Good” was a delightful treat.
The ensemble, with its dazzling choreography and flawless execution of the signature moves created by the legendary Bob Fosse, was one of the highlights of the evening. The sultry, sharp choreography, paired with a live orchestra, kept the audience on the edge of their seats. From the iconic “Cell Block Tango” to the seductive “All That Jazz,” the dancers brought the energy, elegance, and flair that Chicago is known for.
Under the musical direction of Rob Fisher the production brought a fresh and modern energy to the classic show while remaining faithful to the heart of Chicago. The sleek set design, the smoky lighting, and the intoxicating jazz score transported the audience to the glitzy and dangerous world of 1920s Chicago.
What truly made the evening unforgettable, though, was the palpable energy in the theatre. The Regent Theatre, with its intimate atmosphere, made every number feel personal and larger-than-life at the same time. The audience’s enthusiastic applause after each number proved just how much they were enjoying the ride, and their collective energy built to a fever pitch as the show reached its thrilling conclusion.
Chicago is one of those rare musicals that never goes out of style. This opening night performance, with its electrifying cast, dazzling choreography, and memorable songs, was a perfect reminder of why the show continues to be a global phenomenon more than 40 years after its Broadway debut. Whether you’re a seasoned fan or a first timer,this production at the Regent Theatre is an absolute must-see.
Get your tickets before they’re gone—this is one Chicago you won’t want to miss!
https://www.atgtickets.com/shows/chicago/regent-theatre/
